EGC Clambake for March 1, 2007 – “Freestyling with the Soul of Money”

Here is the Bittorrent link and direct MP3 download for the EGC clambake for March 1, 2007.

I play a song from Brian Jonestown Massacre; I talk about plugging in and letting the magic flow and natural creativity; I discuss Neil Gorman’s comments from Ology about the soul of podcasting; I riff on Dave Hamilton’s post about podcasting and professionalism; I play a clip from Ivan Stang on the Hour of Slack and a song from The Thermals and then seal the deal.

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EGC Clambake For September 25, 2006

Here is the Bittorrent link and direct MP3 download for the EGC clambake for September 25, 2006.

I play a song from the upcoming Michelle Malone album; I discuss my session at PME and give the framework for what the talk will be; I play a song by the late great Nikki Sudden; I talk about Jon Kincaid and play a snippet from his show in which he mentions me; I discuss my problems with the Podcast Circle Jerk; I play a snippet from Smart City about balance in work and life; I mention the passing of writer John M. Ford and play a sad Brian Jonestown Massacre song; goodbye;

Today’s egregious factual mistake: Jon Kincaid’s heart attack was in 2004, not 1994.

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EGC Clambake For September 10, 2006

Here is the Bittorrent link and direct MP3 download for the EGC clambake for September 10, 2006.

All the music today is from the Brian Jonestown Massacre, and is available via their website in Ogg format. I start out by mentioning the film DIG! and then play a BJM song; I play some of the audio comments people have sent me — from Mark Forman, Robert Parent and Rob Leachman; another BJM song; I talk about the Podcast Circle Jerk; another song; I talk about the blogs featured in the Business 2.0 article on the money in blogging and what big blogs I don’t read; another song and out.

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DIG!

We finally watched DIG! tonight. It was as good as my friend Chris led me to believe. I’ve always liked the Brian Jonestown Massacre when I’ve heard their music although I’ve never bought any of their records. I like the whole retro sparse Velvet Underground drone thing, so they are right in that pocket. I didn’t know any of the backstory of their crazy reputation or anything about Anton Newcombe. The movie makes him seem a lot like a cracked genius, but as much as I enjoyed the film it was immediately suspect on its balance. When your film is a narrative about the artistic tension between two people and one of them narrates the movie, that’s an issue.

Anton, as one might could predict, disavows the film. Most of what he says in there makes sense, so maybe he has some valid points. Whatever happened between the making of the film and now, it couldn’t have been too traumatic for relations between BJM and the Dandy Warhols because they played together in PDX and Seattle yesterday and the day before. I’ve always liked the Dandy Warhols music as well, even if they lack the raw mad genius of BJM.

I do give Anton the credit for being the kind of person who sits down and gets it done in the studio. He and his band have been freakishly prolific over the last decade. I do also see how the filmmakers have to cut something together out of their 1500 hours of footage, and it helps if a narrative emerges. It’s a little unfair to criticize them for making choices – that’s what everyone has to do to make a movie or an album or whatever. It seems like Newcombe would be one of those guys that would be horrible to have as a friend or colleague. As a Dandy said in the film (my paraphrase), “I’m not sharing a dressing room with them, I don’t want to be around them, but I’ll keep buying their records.”